By Piper Bayard & Jay Holmes
Movies and books would convince us that any firearm can be silenced down to a tiny pfftzing sound when fired. Not so!
IMI Uzi with Companion Shooting Supplies (Vector Arms) Model 2000, 9mm.
RRA AR-15 with Advanced Armament Corporation (AAC) Omni, .223.
HK USP Tactical with AAC Evolution-45.
Beretta 92FS with AAC Evolution-9.
SIG Mosquito with AAC Pilot, .22.
image by Cortland, public domain, wikimedia commons
For simplicity’s sake, we will use the terms “suppressor” and “silencer” interchangeably.
The purpose of most silencers is not to achieve complete silence, but to reduce the noise of a shot enough to prevent potential witnesses from recognizing that they heard a gunshot.
In most cases, the shooter doesn’t care if someone hears the shot as long as they don’t recognize it as a shot and then dial up 911, scream for help, or return fire. People will normally ignore noises that they hear but don’t associate with gunshots or other dangers. Because of this human tendency, the level of “silencing” needed depends on the situation. If the shooter intends to walk into a steel mill and shoot someone, he doesn’t need much. On the other hand, if the shooter wants to shoot someone in a library without being noticed, he had better have a high degree of silencing.
The .380 semi-automatic pistol is a very popular weapon to use with a suppressor. (See Spy Truth & Fiction—Automatics, Semi-Automatics, and Revolvers.) The cartridge provides enough energy for close up assassination, but it is relatively easy and inexpensive to effectively silence a weapon that uses the .380 ammunition. James Bond’s Walther PPK is the most famous example of one of these weapons.
Something fiction rarely addresses is the fact that, with each shot, an unlocked semi-automatic slide cycles and ejects a brass shell.
It is impossible to silence the noise of an unlocked semi-automatic slide. It is also impossible to silence the sound of falling brass unless the weapon is equipped with a brass catcher. However, in the movies, a shooter frequently fires two or three shots in close succession from a “silenced” weapon without any noise being made by the cycling slide or the falling brass. Such scenes are complete and utter fiction.
The .380 semi-automatic is available in “straight blowback” design weapons. (Larger auto-loading pistols use “delayed blowback” designs.) A straight blowback design pistol can be modified to manually lock the slide in a closed position so that the weapon can fire without causing the cartridges to jam. The locked slide prevents the noise of the slide operation along with the noise that escapes the ejection port when the pistol cycles. When a “locked” pistol is used with a suppressor attached to its mussel, the combination allows for the highest level of “suppression,” hence the least noise.
Unlike the movies, to fire successive shots in real life, a shooter must manually unlock the slide, cycle out the cartridge, and then relock the slide before taking a second shot. Locking and unlocking is accomplished with a small lever that would resemble the safety lever on a slide. With a bit of practice it can be operated quickly without much effort.
The Makarov .380 is the most powerful mass produced auto-loading pistol that can be effectively silenced with ease and at low cost.
It is basically a knockoff of James Bond’s Walther .380 on steroids. With a bullet slightly wider and heavier than that of the standard .380, the Makarov has the maximum energy of any sub-sonic cartridge that the Soviet firearms specialists could put into a straight blowback semi-automatic design. The term “sub sonic” is important when discussing silencers or suppressors because a bullet traveling faster than the speed of sound makes a loud noise. Sub-sonic cartridges are, therefore, more practical for silenced firearms.
While a pistol with a manual slide lock does not allow for the quickest successive shots, it can be very quiet and thus ideal for some situations. If, for example, the shooter intended to assassinate an individual who was walking home on his usual route after work, she could easily get a close up headshot on a side street. The noise would be low enough that someone walking twenty yards ahead of the victim would not notice it. Another example is if the shooter could gain access to the target when the target was alone in his hotel room, home, or office. In such circumstances, a trained shooter could easily take the time to deliver a second “insurance” shot on a high value target without a hotel maid in the hallway or people in the next room hearing anything.
.380s without manual slide locks installed are also popular to use with modern liquid filled suppressors.
Such arrangements make more noise than a locked Makarov or locked .380 but still far less noise than a .22 short cartridge fired from a .22 rifle. If the shooter were alone with the target inside a closed hotel room, office, home etc., the noise level would still be acceptable. A pedestrian twenty yards away on a quiet street might recognize the sound as a gunshot, but a pedestrian standing or walking around the corner of a city block would not notice the sound of this type of suppressed weapon.
With precision machining and greater expense, larger handguns can be suppressed, but not to the same degree as the .380 or the .380 Makarov.
During the 1970s, one of the most popular handguns in movies was the attractive Colt Python .357 magnum revolver. We often saw scenes with “silenced” Pythons being fired with more than a mild pfftz sound being generated. The revolver mechanics somehow made no noise at all. Magically, the gas that escaped from between the cylinder and the barrel made no noise, either. That only happens in movies. Suppressors can be used on revolvers, but with much less effect than can be achieved with an auto-loading pistol with a locked slide.
Currently the most popular suppressed handguns in the movies are the 9mm autoloader and the .45 ACP autoloader. With modern suppressors, they can be partially silenced. When a shooter doesn’t want to wake up people in a neighboring apartment or alert police on the next block, those weapons are effective, but unlike in the movies, a guard standing 10 yards away is definitely going to notice the sound of the pistol—not to mention the sound of the falling body. Nonetheless, if a shooter ever had to fire an unsuppressed 9mm or similar pistol from inside of a car, his first thought would be, “Ouch, my ears really hurt.” His second thought would be, “I wish I had a suppressor on this thing.”
Another popular “silenced” weapon is Hollywood is the high power sniper rifle.
We love seeing “silenced” 30-06 rifles in movies. We wish we had one that works like they do. In real life, a suppressor can partially reduce the noise made by a high-powered rifle, but as long as that rifle is firing a supersonic bullet, it’s not going to be anything like “quiet.” Less noisy? Yes. Unnoticed downrange? Not likely. The only advantage in suppressing a high power rifle that fires supersonic bullets is that the shots would alert people over a smaller radius than if a suppressor were not used.
But there’s good news for Hollywood and for snipers.
In recent years, high power cartridges have been developed to fire heavier bullets at subsonic velocities. One example would be the .300 Whisper. These cartridges lack the flatter trajectories of supersonic bullets, but they also lack the loud sonic “crack” generated by supersonic bullets.
So the next time you hear a massive Dirty Harry revolver or an auto-loading pistol silenced down to a pfftz on the screen? The next time you see a shooter take successive shots with a silenced weapon without manually cycling the slide? Label it fiction.
Thank you to Julie Glover for this week’s question about silencers. What are your Spy Truth & Fiction questions?
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