By Piper Bayard & Jay Holmes
The Bourne Legacy is born from the trilogy of Matt Damon Bourne movies and is intended to give birth to a new flood of cash. After rogue agent Jason Bourne does his superspy tap dance across the CIA in the previous three movies, that agency decides to terminate operations coming from Treadstone, the top secret project creating ultimate warriors like Bourne. Terminating operations means murdering all of the people connected with them. One of these uber-soldiers, Aaron Cross (played by Jeremy Renner), manages to escape his execution and goes on the run with one of the doctors who helped create his super powers, Dr. Marta Shearing (played by Rachel Weisz).
We’ll tell you right up front that we didn’t like this overblown excuse for a movie, but that was definitely due to no fault of the actors. They did the best they could have done with this cinematic travesty. In fact, the acting was the only redeeming quality of the entire two miserable hours.
image from en.wikipedia.org
Now for our individual observations.
Understanding that this is fiction, I’m generally pretty charitable with movies. However, I do not give them license to be stupid. Shortly into this movie, I knew The Bourne Legacy crossed that IQ line when I cracked up laughing, thinking, “What? He’s got a rifle? Why didn’t he just shoot the damn ****** instead of dancing with them?”
It did not get better. In fact, about a half an hour in, I had to stop myself from moo-ing because The Bourne Legacy is what I call a Dairy Farm Movie. I understand that the movie business, like every other business, is in the business of making money. But movies, books, paintings, dance, etc. should give us something in exchange for that money, and that something should not be to treat us like cash cows to be milked.
As an author, I’ll say I found this story sorely lacking in structure. It has a beginning; it has a middle, a middle, and another middle, all of which consist of chase scenes punctuated by an occasional dramatic pause. In fact, if it’s true that visualizing a physical activity is almost as effective as doing the thing, I burned at least 5k calories watching these chase scenes. It finally got to the point that I thought I’d taken a wrong turn and ended up in The Terminator.
Unlike The Terminator, though, The Bourne Legacy has no actual end beyond a trite committee meeting held with people who would have already known about the project in the first place for it to exist at all. At no time do the “white hats” actually take charge of the situation and dominate the “black hats” to obtain satisfying resolution to the story problem.
Bottom line? I want those two hours of my life back, please. I could have been ironing my pantyhose or watching my dog catch flies.
This movie was Bourne in Hell, and then it got worse.
It’s rare for me to walk out on a movie, but if I hadn’t been there to review it, I would not have stayed. Generally, if I’m going to review a movie, I watch it at least twice so I can catch more detail and find more things to appreciate about it. I’m sorry, folks. I did my best but I can’t tolerate The Bourne Legacy a second time. All I can offer is my honest first impressions.
If a movie with a well-developed plot or great action is what you seek, then by all means spare yourself the agony of sitting through this one. And if you’re hoping to see a Jason Bourne movie, it isn’t one of those, either. The producers saved themselves a bundle by only flashing a brief glimpse of Matt Damon’s photograph rather than hiring the actual actor.
As to plausibility of the movie concept, there isn’t one. I won’t claim that the CIA has never, ever killed anyone, but it is not their normal and customary practice to run around killing each other. No intelligence organization in a democratic society could sustain itself by routinely murdering its own employees or citizens. That was standard operating procedure for the Soviet Union, and you see how well that worked out for them.
Most of the “action” scenes are severely edited, resulting in a hint of action amidst abundant kinetic energy. It’s more like a stop-action animation film with bad editing. For example, one moment a woman is upright on a motorcycle, and the next she is falling off the side, clinging to a bus, but we never see how this happens. It is frenetic activity, but it is not fluid action.
This is, unfortunately, a money-saving trend in modern films. While they clearly saved a lot of cash by cheating on the action scenes in The Bourne Legacy with staccato film editing, it gave me annoyance rather than the tension and interest it was supposed to be creating.
And the plot? Are the writers on strike again?
So far some critics have been upset by the lack of an “ending” to The Bourne Legacy. I’ll let them slide on the ending. If you never quite start the movie, why should you have to end it? Besides, in the case of The Bourne Legacy, my favorite thing about the movie is that it finally stopped when it did, though sooner would have been better.
At the “end” the non-action switches abruptly to a non-love scene. We are all better off not seeing that love scene. It would have no doubt amounted to something like “Fifty Shades of Bilge Grease” or “Last Tango in a Tropical Hell.” I want to personally thank the writer and producer for sparing me that agony.
On the positive side, if you haven’t seen this movie yet, it’s not to late to avoid the pain. If you have ten bucks that are burning a hole in your pocket and you are in dire need of some action, then use the cash to buy a pair of knitting needles and a skein of wool. Learning to knit would be a better bet for entertainment than paying to see The Bourne Legacy.
The Bourne Legacy will soon be coming to a theater near you! Warn your loved ones!
The Bourne Legacy earns our first Dud Chinese-Manufactured Ammo* rating. We know better than to look for documentary style reality in movies, but this film did not bother to employ the many modern techniques available for producing a satisfying story or exciting action scenes. If you’re looking for action or for a movie, this isn’t either.
Piper Bayard & Jay Holmes
*Our Movie Rating System:
- Dud Chinese-manufactured ammo: Stay home and do housework. You’ll have more fun.
- .22 rim fire: Not worth the big screen, but ok to rent.
- .380: Go to the matinée if someone else is paying.
- .38 special: Worth paying for the matinée yourself.
- .357 magnum: Okay to upgrade to prime time if you can stand the crowd.
- .44 magnum: Must see this. Potentially life-altering event.
Piper Bayard is a recovering attorney with a university degree or two. She currently pens post-apocalyptic sci-fi and spy novels with Holmes when she isn’t shooting, SCUBA diving, or chauffeuring her children.
‘Jay Holmes’, is an intelligence veteran of the Cold War and remains an anonymous member of the intelligence community. Piper is the public face of their partnership.
© 2012 Piper Bayard. All content on this page is protected by copyright. If you would like to use any part of this, please contact us at the above links to request permission.